1. The Guardian
The British newspaper The Guardian and its magazine The Observer saw a masthead redesign on January 12. It’s the first change since 2005 and sheds light on the direction of the paper’s readership. In a redesign of its masthead to tabloid format, the new look is meant to draw in younger, millennial readers. It also brings a fresh new look for a sophisticated paper that has an older readership, as well. The logo change comes with capitalizing the paper’s name, changing the brand colors from a darker blue to a lighter one and an overall more playful look to their print front page. The design was done in-house under the leadership of the paper’s creative director Alex Breuer and his team of senior editors and designers. The headline was created in collaboration with Commercial Type, who helped develop the font, Guardian Egyptian.
2. Slate Magazine
The American news website has seen a massive revamp of its logo, homepage and font, all of which were unveiled last week. According to Jason Santa Mara, who led the in-house design team, they wanted to create a logo that reflected their storytelling process:
“Slate is not simply our website. The site is one place where Slate lives, but Slate exists in a variety of places, from social platforms like Facebook, to your podcast app, to the public spaces where we host live events. So rather than making this a monolithic redesign project, in which we look for a single design answer that will work wherever Slate lives, we are starting with a small, though important, corner of the magazine. In rethinking how we produce and design the big, splashy pieces we publish at the top of the week, we’re gathering information about what works—and how we work—and setting ourselves up to take those lessons to other parts of the whole.
3. Sky News
The British broadcaster unveiled a new logo design on January 17. Similar to the old logo, the Sky News design team has taken the word “news” and made it all lowercase, whereas previously it was all caps. Alongside the font, the new typography has a more minimal, spacious touch. This new change will cover all of the network’s graphics, from the website to its microphones, and is the first change since their recent revamp in 2015, in which they ditched their 3D logo for something flatter.